This work, Le Chapeau Épinglé (The Pinned Hat), holds a special place in Renoir's body of work, showcasing his mastery across various artistic mediums. Among his renditions of this subject, this particular drypoint stands out as a rare gem, distinguished by its rich burr and square corners, indicative of an impression created before steel-facing. This rarity adds to its allure, as it offers a glimpse into an earlier stage of the printmaking process.

Julie Manet, the daughter of Berthe Morisot, and her cousin Jeanne Gobillard served as models for this piece. Renoir had the opportunity to observe and study the girls while vacationing with Morisot's family, laying the groundwork for his interpretation of the scene.

What makes this drypoint exceptional is Renoir's adept handling of the technique, evident in the delicate, soft lines that characterize the sfumato effect. Through skillful manipulation of light and shadow, Renoir imbues the composition with a sense of intimacy and mystery. By obscuring Julie's face, he directs the viewer's focus to the simple yet captivating act of fixing a hat, drawing them into the scene and inviting contemplation.