This work is part of Picasso's series of portraits depicting his lover and muse, Dora Maar. Dora Maar was a prominent figure in Picasso's life during the late 1930s and early 1940s. She was a talented photographer and artist in her own right and known for her intellectual and avant-garde circles in Paris.

In this portrait, Picasso skillfully employs Cubist techniques to deconstruct and reconstruct her form, presenting multiple perspectives simultaneously. This dynamic portrayal imbues the static image with a sense of movement and vitality, inviting viewers to engage with Maar from various angles and moments.

The painting's use of color and light eloquently captures and further enhances its complexity and intrigue. The navy ensemble Maar wears, punctuated by the sharp red lips and the yellow fruit she holds, creates a striking visual contrast against the ochre walls and the rich blue of her hat and suit. These contrasting elements draw attention to Maar as the composition's focal point and contribute to the overall vibrancy and depth of the painting.

Moreover, the subtle incorporation of geometric shapes, such as the gold button on Maar's dress echoing the shape of the fruit, adds a layer of visual cohesion and symbolism to the work. This attention to detail reflects Picasso's meticulous craftsmanship and artistic vision.

Overall, Femme Assise (Dora Maar) 1955, stands as a testament to Picasso's innovative genius and ability to capture the essence of his subjects in beautiful and enigmatic ways.

The painting showcases Picasso's fascination with depicting multiple viewpoints simultaneously and his experimentation with color and form. It captures the complexity of Maar's personality and Picasso's relationship with her, offering a glimpse into the artist's inner world during this period of his life.